Endlessly Traversed Landscapes

Endlessly Traversed Landscapes is a public postering project, funded by the Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games curated by Natalie Doonan and featuring 21 artists from across Canada.  Their works are located throughout the city of Vancouver, appropriating spaces of advertising, while entering into dialogue with their surroundings.  Billboards are highly contested and competitive zones in which the drama of shifting social relations is played out.  Similarly, bus shelters and trains are transitory sites – outposts that speak to the movement of people through rather brief moments in time.

The title of the exhibition comes from an essay by the French post-war theorist, film maker and poet Guy Debord, entitled The Critique of Separation: "after all the dead time and lost moments, there remain these endlessly traversed postcard landscapes; this distance organized between each and everyone". Debord was a founding member of the Situationists International, a collaborative alliance of artists and activists who attempted to negate the alienating effects of communications media and destroy avant-garde claims of originality.  The works of Endlessly Traversed Landscapes are informed by these concerns and their present trajectories.  They have been selected for their appropriations of material processes and subject matter, and for their ability to provocatively reconsider notions of territory.

The term landscape does not exist outside of systems of privatization.  Landscape therefore denotes at once a claiming of territory and the visualization of natural space. This opportunity to speak in public and be heard is one that each artist has considered with care. 

http://www.vancouver2010.com/more-2010-information/cultural-festivals-and-events/event-listings/endlessly-traversed-landscapes_131958LU.html

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